Liz Mackay DA
Liz Mackay grew up in Rothesay and Greenock. Her father, an engineer, had worked with his brother, Liz’s Uncle Robert, painting murals in cinemas before the war. Robert Johnston went on to become a well-known illustrator and in-house artist for Austin.
Liz knew she wanted to paint from an early age. She attended Glasgow School of Art from 1956 – 1959. Her contemporaries included Marj Bond, a lifelong friend, and Alistair Taylor. David Donaldson RSA RGI RSW RP was her biggest influence and supported her work at the GSA.
After leaving GSA Liz taught for a short while at Newton on Ayr School. She married Ian and moved to Kirkintilloch, where she had a room in the house as a studio. She focused on still life, portraits and some illustrations for children’s books.
Liz and Ian moved to Alloway in 1970 and she joined Ayr Sketch Club, did some more illustration for Blackies and joined The Glasgow Women Artists.
Her first Edinburgh exhibition was a joint show with Sandra Ewing. She went on to show regularly with The Torrance Gallery through the 1970s and 80s. At the same time, her work grew in popularity in Sweden, and she exhibited with Galleri Pictor in Gothenburg in the late 1970s and 80s. Following this, Liz exhibited across Scotland, including with the Whitehouse Gallery for many years.
Liz had a stroke when she was 57 after which she had to adapt her painting style to be looser and more inventive. Unable to just go out and see the trees and the horizon with Arran beyond, she painted them instead, using her memory and imagination to transport herself outside.
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Angel’s Head – Liz Mackay DA
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Anne – Liz Mackay DA
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Canvas & Flotsam – Liz Mackay DA
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Croissants and Coffee – Liz Mackay DA
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Life Buoy – Liz Mackay DA
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Pears – Liz Mackay DA
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Red Hill and Trees – Liz Mackay DA
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Girl with Red Hair – Liz Mackay DA
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